Diagram
1: Sample Workflow. Detailed information related to the applications
above can be found in the Avid Resources and Third Party tabs.
Using RED camera files in Avid was flawless and as fast as
any project I've edited. We lost no time and the RED files came into
the Avid [editing system] without a hitch. The Avid workflow gave us
the advantages of RED files with the professional support and
flexibility of cutting on Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment
Easy import. Ingest picture, sound, and metadata from the RED ONE camera.
Native to native. Eliminate QuickTime from the process. Use Avid MetaFuze to transcode R3D files to Avid DNxHD for a truly efficient and dependable workflow.
Ultimate Conform. Finish in Avid DS, the most complete finishing solution for any native RED project.
Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.
No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.
Keep your color. All color parameters created by REDrushes are preserved and passed through.
Triple play.
Use any combination of source references in DI conform: timecode,
edgecode, DPX file name/frame count, in addition to the original R3D
file name.
Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.
Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.
Overview
Diagram
1: Sample Workflow. Detailed information related to the applications
above can be found in the Avid Resources and Third Party tabs.
Using RED camera files in Avid was flawless and as fast as
any project I've edited. We lost no time and the RED files came into
the Avid [editing system] without a hitch. The Avid workflow gave us
the advantages of RED files with the professional support and
flexibility of cutting on Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment
Easy import. Ingest picture, sound, and metadata from the RED ONE camera.
Native to native. Eliminate QuickTime from the process. Use Avid MetaFuze to transcode R3D files to Avid DNxHD for a truly efficient and dependable workflow.
Ultimate Conform. Finish in Avid DS, the most complete finishing solution for any native RED project.
Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.
No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.
Keep your color. All color parameters created by REDrushes are preserved and passed through.
Triple play.
Use any combination of source references in DI conform: timecode,
edgecode, DPX file name/frame count, in addition to the original R3D
file name.
Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.
Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.
Avid Resources
Avid FilmScribe Master XML Template
We frequently enhance the Master XML template; get the most recent version here. Replace or add to:
Avid FilmScribe/Supporting Files/FilmScribe_Templates
(Mac OS X and Windows) [zip 6KB]
XSLTs (XML Transforms) See Step-by-Step Guide for details. [pdf, 4516KB]
REDCINE_318_ALE XSLT
For use with REDCINE v3.1.8 or later. Translates XML file created in
REDCINE into an Avid ALE file. (Mac OS X and Windows) [zip 5KB]
REDCINE_ALE XSLT
For use with REDCINE v3.1.5 and earlier. Translates XML files created in REDCINE into an Avid ALE file. [ zip 5KB]
SCRATCH_4.2b505_ALE XSLT
For use with SCRATCH and SCRATCH CINE v4.2 build 505 and later.
Converts SCRATCH and SCRATCH CINE XML to ALE for tape- and file-based
conform. [zip, 3KB]
Scratch_ALE XSLT
For use with SCRATCH and SCRATCH CINE earlier than v4.2 build 505.
Converts SCRATCH and SCRATCH CINE XML to ALE for tape- and file-based
conform. [zip, 5KB]
FS_Scan_REDCINE_318
For use with REDCINE v3.1.8 or later. Translates a master FilmScribe
XML into REDCINE XML for selects. This file can only be used when the
ALE was originally generated from the REDCINE XML file. (Mac OS X and
Windows) [zip 4KB].
FS_Scan_REDCINE
For use with REDCINE v3.1.5 and earlier. Translates a master FilmScribe
XML into REDCINE XML for selects. This file can only be used when the
ALE was originally generated from the REDCINE XML file. (Mac OS X and
Windows) [ zip 2KB]
FS_Scan_CMX
Translates a master FilmScribe XML file into a standard CMX 3600 EDL
format for Monkey Extract by Rubber Monkey Software or other systems
that support the CMX 3600 EDL format. (Mac OS X and Windows) [ zip 9KB]
16Char EDL Template
Modified CMX 3600 EDL to support the full R3D 16 character source file
name. Add to Avid EDL Manager Templates folder to use. (Mac and
Windows) [ zip 4KB ]
Avid DNxHD QuickTime Codecs v1.10
These codecs (Mac and PC) allow REDCINE or REDrushes to render directly
to Avid DNxHD. Currently REDCINE and REDrushes render to Avid DNxHD
220/180/175 10-bit only.
Assimilate SCRATCH CINE generates high resolution video dailies from R3D files to HD format of choice.
Digital Vision Data Conform creates digital dailies from R3D files for Avid editorial in Avid DNxHD and high resolution finishing in DPX and EXR.
Filmlight Baselight Transfer (BLT)
– High performance digital telecine tool that seamlessly integrates
REDCODE Raw source into industry standard Avid DNxHD resolutions and
high resolution formats for grading and finishing workflows.
Root 6 ContentAgent generates proxies and commonly used file formats, including Avid DNxHD for offline or high end finishing and HD mastering.
ALE File Creation
Extract metadata from QuickTime files and save as ALE with MetaCheater. For step-by-step details on using MetaCheater, read the StudioDaily article.
(Mac OS X and Windows)
DPX File Creation
Using a standard EDL, Monkey Extract from Rubber Monkey Software quickly renders DPX files and prepares your footage for final conform.
(Mac OS X)
Create DPX files via REDCINE using an XML pull list generated by Avocoda’s cineXML (Mac OS X and Windows)
Overview
Diagram
1: Sample Workflow. Detailed information related to the applications
above can be found in the Avid Resources and Third Party tabs.
Using
RED camera files in Avid was flawless and as fast as any project I've
edited. We lost no time and the RED files came into the Avid [editing
system] without a hitch. The Avid workflow gave us the advantages of
RED files with the professional support and flexibility of cutting on
Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment
Easy import. Ingest picture, sound, and metadata from the RED ONE camera.
Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.
No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.
Keep your color. All color parameters created by REDrushes are preserved and passed through.
Triple play.
Use any combination of source references in DI conform: timecode,
edgecode, DPX file name/frame count, in addition to the original R3D
file name.
Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.
Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.
Diagram
1: Sample Workflow. Detailed information related to the applications
above can be found in the Avid Resources and Third Party tabs.
Using
RED camera files in Avid was flawless and as fast as any project I've
edited. We lost no time and the RED files came into the Avid [editing
system] without a hitch. The Avid workflow gave us the advantages of
RED files with the professional support and flexibility of cutting on
Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment
Easy import. Ingest picture, sound, and metadata from the RED ONE camera.
Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.
No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.
Keep your color. All color parameters created by REDrushes are preserved and passed through.
Triple play.
Use any combination of source references in DI conform: timecode,
edgecode, DPX file name/frame count, in addition to the original R3D
file name.
Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.
Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.
Avid Resources
Avid DS DPX Conform
Overview guide to conforming 2K/4K DPX files created by Monkey Extract
or REDCINE. In addition to its robust creative toolset, Avid DS provides superior conform (via AFE) compared to systems that use EDLs only.[pdf 340K]
Avid FilmScribe Master XML Template
We frequently enhance the Master XML template; get the most recent version here. Replace or add to:
Avid FilmScribe/Supporting Files/FilmScribe_Templates
(Mac OS X and Windows) [zip 6KB]
XSLTs (XML Transforms) See Step-by-Step Guide for details. [pdf, 4516KB]
REDCINE_ALE XSLT
Translates XML files created in REDCINE into an Avid ALE file. (Mac OS X and Windows) [ zip 5KB]
Scratch_ALE XSLT
SCRATCH and SCRATCH CINE XML conversion to ALE for tape- and file-based conform. [zip, 5KB]
FS_Scan_REDCINE
Translates a master FilmScribe XML into REDCINE XML for selects. This
file can only be used when the ALE was originally generated from the
REDCINE XML file. (Mac OS X and Windows) [ zip 2KB]
FS_Scan_CMX
Translates a master FilmScribe XML file into a standard CMX 3600 EDL
format for Monkey Extract by Rubber Monkey Software or other systems
that support the CMX 3600 EDL format. (Mac OS X and Windows) [ zip 9KB]
16Char EDL Template
Modified CMX 3600 EDL to support the full R3D 16 character source file
name. Add to Avid EDL Manager Templates folder to use. (Mac and
Windows) [ zip 4KB ]
Avid DNxHD QuickTime Codecs v1.10
These codecs (Mac and PC) allow REDCINE or REDrushes to render directly
to Avid DNxHD. Currently REDCINE and REDrushes render to Avid DNxHD
220/180/175 10-bit only.
ALE File Creation
Extract metadata from QuickTime files and save as ALE with MetaCheater. For step-by-step details on using MetaCheater, read the StudioDaily article.
(Mac OS X and Windows)
DPX File Creation
Using a standard EDL, Monkey Extract from Rubber Monkey Software quickly renders DPX files and prepares your footage for final conform.
(Mac OS X)
Create DPX files via REDCINE using an XML pull list generated by Avocoda’s cineXML (Mac OS X and Windows)
- Documentation de Workflow Metafuze (ajouté le 13/02/2009 - téléchargé 7 fois - taille : inconnue)
Créer des fichiers proxy Avid DNxHD de manière efficace
La création de médias proxy Avid DNxHD à partir des formats DPX et TIFF
ainsi que d'autres sources basées sur des fichiers peut être déléguée à
AvidMetaFuze , ce qui permet de libérer les précieuses équipes de
monteurs créatifs afin qu'elles se consacrent à ce qu'elles font le
mieux. Le logiciel AvidMetaFuze crée tous les formats Avid DNxHD tout
en préservant les métadonnées telles que les timecodes, KeyKode et les
noms de fichiers. En savoir plus sur AvidMetaFuze.
Download Avid MetaFuze
Take charge. MetaFuze your high-res files now. Supported on Windows XP,
Mac OS X using VM Fusion, and Linux via WINE. [.zip, 31 MB]
- RED ALERT! (BETA) (ajouté le 13/02/2009 - téléchargé 18 fois - taille : inconnue)
Read REDCODE RAW files, perform white balance, contrast and one light
color correction then export DPX, TIFF or QuickTime reference movies.
Includes Automator Actions and REDLine. Support at reduser.net.
Requires Intel Mac. Note: Supports RED ONE cameras up through Build 18.
- REDCINE (BETA) (ajouté le 13/02/2009 - téléchargé 5 fois - taille : inconnue)
Open RED REDCODE™ RAW (.R3D) video. Do 1st light color correction.
Export to any number of output options. Support at reduser.net.
Requires PC or Intel Mac. Note: Supports RED ONE cameras up through Build 18.
- RED Final Cut Studio 2 Installer (ajouté le 13/02/2009 - téléchargé 11 fois - taille : inconnue)
Provides native REDCODE media (R3D) support for Final Cut Pro and
Color. Includes: RED QuickTime Codec (v3.7.0), Log and Transfer
(v1.0.0), REDCODE plugin for Color (v2.7.0), and Final Cut Studio RED
workflow whitepaper. Note: Supports RED ONE cameras up through Build 16.
- RED Final Cut Studio 2 Whitepaper (ajouté le 13/02/2009 - téléchargé 2 fois - taille : inconnue)
This document describes the best practices for following a digital
cinema postproduction workflow with Final Cut Studio using media
recorded with the RED ONE.
- RED QuickTime Codec (BETA) (ajouté le 13/02/2009 - téléchargé 4 fois - taille : inconnue)
REDCODE RAW codec for Intel Macs. Supports RT playback in Final Cut Pro
6.0.2 or later and editing of the QuickTime Reference movies generated
in camera. Play REDCODE RAW movies directly from QuickTime Player or
other QuickTime-enabled applications. Note: Supports RED ONE cameras up through Build 18.
Sorry, your operation system has not been supported yet.
- RED ADOBE CS4 INSTALLER (BETA) (ajouté le 13/02/2009 - téléchargé 4 fois - taille : inconnue)
Provides native REDCODE media (R3D) support for Premiere Pro CS4 (4.0.1
and later) and After Effects CS4 (9.0.1 and later). Includes: REDCODE
importer (v1.3.0), After Effects Settings Dialog and workflow guide. Note: Supports RED ONE cameras up through Build 18.
- Document wokshop Unity CTM Avril 2008 (ajouté le 23/04/2008 - téléchargé 514 fois - taille : 14293.7 Ko - 223.34 sec en ADSL 512Kbit/s - 2042 sec en 56Kbit/s)
- Avid Tips Console Commandes (ajouté le 18/04/2008 - téléchargé 1791 fois - taille : 171.3 Ko - 2.67 sec en ADSL 512Kbit/s - 24.43 sec en 56Kbit/s)
Voici un document fort interessant reprenant quelques unes des commandes bien utiles pour la console Avid.
This information has been culled from the experience of many Avid users. While I make no guarantee as to its accuracy, I would be happy to accept advice, corrections and additions. I will update and re‐post at intervals. console@paul-sampson.ca.
Please note Avid would never publish a list like this because many of these are unapproved, and in the case of renamemediafiles potentially dangerous. There are no instructions on using the console here – if you don’t know that already, then these commands might not be a good idea for you.
Included in this paper are:
• alldrives
• Cmd_SetImportSlideLength
• forceHDTranscode
• IgnoreQTRate
• Playlength
• Renamemediafiles
• repairsequences
• setresizetype
• subsys monpane debug
• TCBreakTolerance
We finish with a section titled “Stupid Console Tricks” which outlines other things the console can be used for.
Console commands are for diagnostics and for features that are in process of being completed
and have not yet been fully tested or have a complete GUI. It is also to test out certain features or algorithms before putting them into a main release. Most console commands are "use at your own risk"
Michael Phillips, October2007
- AFPA-Formation-AvidDS-Nitris.pdf (ajouté le 29/01/2008 - téléchargé 1332 fois - taille : 137.8 Ko - 2.16 sec en ADSL 512Kbit/s - 19.71 sec en 56Kbit/s)
- Manuel de l'utilisateur de Final Cut Pro (ajouté le 31/12/2007 - téléchargé 18 fois - taille : inconnue)
Voici le manuel en français pour Final Cut Pro 6 48,6 Mo (17/06/2007) Manuel de l'utilisateur de Final Cut Pro
Voir aussi les rubriques :
Manuels d'Applications pro de production numérique :
- Quel driver est nécessaire pour le rattachement d'un CLient à un ISIS (via une carte Intel Pro 1000) (ajouté le 05/11/2007 - téléchargé 8 fois - taille : inconnue)
Voici un document expliquant quel drivers est nécessaire & validé sous Avid Unity ISIS pour une carte Intel Pro1000MT and PT NIC
- Fibre Optique : Single Mode vs Multi Mode (ajouté le 05/11/2007 - téléchargé 11 fois - taille : inconnue)
Quand vous travaillez sous Unity Medianetwork ou Unity ISIS (Sous ISIS liaison en ethernet sauf liaisons spécifiques interswitch), vous pouvez être ammené à utiliser plusieures technologies de fibres optiques existantes. Chacune présente ses avantages en fonction des cas de figures. Ce document vous rapelle quelques bases concernant les fibres optiques et les technologies associées avec les produits avid.
- Nouveau guide d'intégration MC pour Mac (ajouté le 31/10/2007 - téléchargé 1291 fois - taille : 338.4 Ko - 5.28 sec en ADSL 512Kbit/s - 48.29 sec en 56Kbit/s)
Vous pouvez trouver depuis quelques temps sur la knowledge Avid ce nouveau document
(non-officiel) pour configurer vos Macs (portables ou
stations de travail) sous un environnement AVID versions
x.7.5.
- Readme ISIS 1.3a (ajouté le 06/06/2007 - téléchargé 2577 fois - taille : 929.9 Ko - 14.53 sec en ADSL 512Kbit/s - 132.86 sec en 56Kbit/s)
cette dernière apporte un correctif important pour le failover des
version1.2 et 1.3 de ISIS. Mais aussi quelques nouveauté interessantes
comme le support des Macintosh Intel en version 10.4.8 (zone 1 ou zone
2), de l'ECC sur les ISB et ISS, un nouvel outil appelé ISIS Upgrade
Tool qui permet le flash des ISS et ISB en autonome via laptop, et bien
d'autres nouveautés.
- CTM Storage Calculator Version Mac (ajouté le 26/04/2007 - téléchargé 1483 fois - taille : 2566.2 Ko - 40.09 sec en ADSL 512Kbit/s - 366.57 sec en 56Kbit/s)
Enfin un outil qui permet de calculer l'espace disque en fonction de la compression utilisée.
Vous choississez le format/codec : HDV, DNXHD 220 X, SD1:1, HD 1:1, etc.....
- CTM Storage Calculator Version PC (ajouté le 26/04/2007 - téléchargé 1564 fois - taille : 1008.9 Ko - 15.77 sec en ADSL 512Kbit/s - 144.14 sec en 56Kbit/s)
Enfin un outil qui permet de calculer l'espace disque en fonction de la compression utilisée.
Vous choississez le format/codec : HDV, DNXHD 220 X, SD1:1, HD 1:1, etc.....
Vous pouvez aussi calculer en ligne l'espace utilisé par vos productions, avce l'outil Avid ci dessous (et sans télécharger gratuitement le Storage Calculator autonome de CTM Solutions) pour les resolutions Avid.
Une grande partie des fichiers sont compressés pour un téléchargement plus rapide, pour
les décomprésser, il vous faudra peut être des logiciels comme
Winrar,
ou PowerArchiver
(freeware).
S'il s'agit de fichiers pdf, il vous faudra Acrobat Reader pour les lire.
>> Recevez les informations et les nouvelles documentations !!!
Pour recevoir les informations sur la disponibilité de nouvelles documentations CTM services,
n'attendez plus ! inscrivez vous gratuitement à la Mailing liste ci dessous!
Conformément à la loi 'Informatique et Libertés' n° 78-17 du 6 janvier 1978 (art. 34),
vous disposez d'un droit d'accès, de rectification et de suppression des données vous
concernant. Pour exercer ce droit, adressez-vous à :
CTM, 125 av. Louis Roche 92230 GENNEVILLIERS.
Read REDCODE RAW files, perform white balance, contrast and one light
color correction then export DPX, TIFF or QuickTime reference movies.
Includes Automator Actions and REDLine. Support at reduser.net.
Requires Intel Mac. 
Open RED REDCODE™ RAW (.R3D) video. Do 1st light color correction.
Export to any number of output options. Support at reduser.net.
Requires PC or Intel Mac. 
Provides native REDCODE media (R3D) support for Final Cut Pro and
Color. Includes: RED QuickTime Codec (v3.7.0), Log and Transfer
(v1.0.0), REDCODE plugin for Color (v2.7.0), and Final Cut Studio RED
workflow whitepaper. 
This document describes the best practices for following a digital
cinema postproduction workflow with Final Cut Studio using media
recorded with the RED ONE.
REDCODE RAW codec for Intel Macs. Supports RT playback in Final Cut Pro
6.0.2 or later and editing of the QuickTime Reference movies generated
in camera. Play REDCODE RAW movies directly from QuickTime Player or
other QuickTime-enabled applications. 
Provides native REDCODE media (R3D) support for Premiere Pro CS4 (4.0.1
and later) and After Effects CS4 (9.0.1 and later). Includes: REDCODE
importer (v1.3.0), After Effects Settings Dialog and workflow guide. 
1 
Essayer & Téléchargez Gratuitement Media Composer chez CTM Solutions!
