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Utilitaires PC (14 fichiers)

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- Avid : Conditions Generales de Service (Plan de Support) (ajouté le 24/08/2010 - téléchargé 17 fois - taille : 403.8 Ko - 6.31 sec en ADSL 512Kbit/s )

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Descriptif des conditions Applecare pour stations Apple

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Descriptif des conditions AppleCare pour Xserve Apple

- Apple : Apple Care Stations (ajouté le 21/08/2010 - téléchargé 765 fois - taille : 154.8 Ko - 2.42 sec en ADSL 512Kbit/s )
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- Apple : AppleCare Xserve (ajouté le 21/08/2010 - téléchargé 1421 fois - taille : 34.2 Ko - 0.53 sec en ADSL 512Kbit/s )
Descriptif de l'AppleCare pour Xserve Apple

- CONDITIONS GENERALES DE SERVICES CTM (ajouté le 20/08/2010 - téléchargé 162 fois - taille : 169.7 Ko - 2.66 sec en ADSL 512Kbit/s )
CONDITIONS GENERALES DE SERVICES

- GUIDE D'INFORMATION DES CONTRATS DE SERVICE (ajouté le 20/08/2010 - téléchargé 32 fois - taille : 555.9 Ko - 8.69 sec en ADSL 512Kbit/s )
GUIDE_INFO_CONTRATS_SERVICES

- Documentation de Workflow Avid & Red (ajouté le 23/07/2009 - téléchargé 2383 fois - taille : inconnue)

Retrouvez ici la documentation complète du workflow Red sous Avid

Retrouvez dans la news ci dessous, un rappel complet du workflow RED ONE avec les produits Avid. Voir aussi le document officiel :

Avid / RED Workflow Guide

Diagram 1: Sample Workflow. Detailed information related to the applications above can be found in the Avid Resources and Third Party tabs.

Using RED camera files in Avid was flawless and as fast as any project I've edited. We lost no time and the RED files came into the Avid [editing system] without a hitch. The Avid workflow gave us the advantages of RED files with the professional support and flexibility of cutting on Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment

Easy import. Ingest picture, sound, and metadata from the RED ONE camera.

Native to native. Eliminate QuickTime from the process. Use Avid MetaFuze to transcode R3D files to Avid DNxHD for a truly efficient and dependable workflow.

Ultimate Conform. Finish in Avid DS, the most complete finishing solution for any native RED project.

Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.

No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.

Keep your color. All color parameters created by REDrushes are preserved and passed through.

Triple play. Use any combination of source references in DI conform: timecode, edgecode, DPX file name/frame count, in addition to the original R3D file name.

Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.

Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.

Overview

Diagram 1: Sample Workflow. Detailed information related to the applications above can be found in the Avid Resources and Third Party tabs.

Using RED camera files in Avid was flawless and as fast as any project I've edited. We lost no time and the RED files came into the Avid [editing system] without a hitch. The Avid workflow gave us the advantages of RED files with the professional support and flexibility of cutting on Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment

 

Easy import. Ingest picture, sound, and metadata from the RED ONE camera.

Native to native. Eliminate QuickTime from the process. Use Avid MetaFuze to transcode R3D files to Avid DNxHD for a truly efficient and dependable workflow.

Ultimate Conform. Finish in Avid DS, the most complete finishing solution for any native RED project.

Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.

No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.

Keep your color. All color parameters created by REDrushes are preserved and passed through.

Triple play. Use any combination of source references in DI conform: timecode, edgecode, DPX file name/frame count, in addition to the original R3D file name.

Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.

Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.

Overview

Diagram 1: Sample Workflow. Detailed information related to the applications above can be found in the Avid Resources and Third Party tabs.

Using RED camera files in Avid was flawless and as fast as any project I've edited. We lost no time and the RED files came into the Avid [editing system] without a hitch. The Avid workflow gave us the advantages of RED files with the professional support and flexibility of cutting on Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment

 

Easy import. Ingest picture, sound, and metadata from the RED ONE camera.

Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.

No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.

Keep your color. All color parameters created by REDrushes are preserved and passed through.

Triple play. Use any combination of source references in DI conform: timecode, edgecode, DPX file name/frame count, in addition to the original R3D file name.

Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.

Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.

RED RESOURCES

• RED support
• RED forum

Overview

Diagram 1: Sample Workflow. Detailed information related to the applications above can be found in the Avid Resources and Third Party tabs.

Using RED camera files in Avid was flawless and as fast as any project I've edited. We lost no time and the RED files came into the Avid [editing system] without a hitch. The Avid workflow gave us the advantages of RED files with the professional support and flexibility of cutting on Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment

 

Easy import. Ingest picture, sound, and metadata from the RED ONE camera.

Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.

No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.

Keep your color. All color parameters created by REDrushes are preserved and passed through.

Triple play. Use any combination of source references in DI conform: timecode, edgecode, DPX file name/frame count, in addition to the original R3D file name.

Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.

Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.

- Documentation de Workflow Metafuze (ajouté le 13/02/2009 - téléchargé 21 fois - taille : inconnue)

Créer des fichiers proxy Avid DNxHD de manière efficace

La création de médias proxy Avid DNxHD à partir des formats DPX et TIFF ainsi que d'autres sources basées sur des fichiers peut être déléguée à AvidMetaFuze , ce qui permet de libérer les précieuses équipes de monteurs créatifs afin qu'elles se consacrent à ce qu'elles font le mieux. Le logiciel AvidMetaFuze crée tous les formats Avid DNxHD tout en préservant les métadonnées telles que les timecodes, KeyKode et les noms de fichiers. En savoir plus sur AvidMetaFuze. 

Download Avid MetaFuze
Take charge. MetaFuze your high-res files now. Supported on Windows XP, Mac OS X using VM Fusion, and Linux via WINE. [.zip, 31 MB]

Avid Media Composer and Avid DS in a DI Workflow Whitepaper
Discover how MetaFuze can improve your VFX and DPX conform workflows. [PDF,244 KB]

Additional Resources

Install NEO Player to extend
MetaFuze access to all CineForm
AVI or MOV media types.

CineForm NEO Player

Sample conversion process using Avid MetaFuze

Video Quick Tours:

Discover how Avid MetaFuze can streamline your DPX workflow.

More formats. Integrate virtually any high-resolution file format into an Avid DNxHD workflow.

Free your editing system. Offload Avid DNxHD media creation to another CPU or multiple CPUs in a render farm.

Manage your Metadata. Guarantee accurate DPX conform by preserving, correcting or adding metadata before transcoding to Avid DNxHD.

Your footage. Your look & feel. 3D and custom LUT support ensures color consistency from start to finish.

Create efficiencies. Save time and enhance existing pipelines with automated transcode scripts.

- Documentation de workflow DS en Digital Intermediate (ajouté le 13/02/2009 - téléchargé 0 fois - taille : inconnue)

Retrouvez ici le "Livre blanc" Avid Media Composer et Avid DS dans un processus DI
Découvrez comment MetaFuze peut améliorer vos processus de conformation VFX et DPX [PDF,244 KB]

Retrouvez aussi une documentation rappellant le workflow DI DPX avec Avid DS

- RED ALERT! (BETA) (ajouté le 13/02/2009 - téléchargé 23 fois - taille : inconnue)

Read REDCODE RAW files, perform white balance, contrast and one light color correction then export DPX, TIFF or QuickTime reference movies. Includes Automator Actions and REDLine. Support at reduser.net. Requires Intel Mac. Note: Supports RED ONE cameras up through Build 18.

• + Release History
• + Download for other Operating Systems

- REDCINE (BETA) (ajouté le 13/02/2009 - téléchargé 5 fois - taille : inconnue)

Open RED REDCODE™ RAW (.R3D) video. Do 1st light color correction. Export to any number of output options. Support at reduser.net. Requires PC or Intel Mac. Note: Supports RED ONE cameras up through Build 18.

v3.1.8 / 3.16 MB

• + Release History
• + Download for other Operating Systems

- RED Final Cut Studio 2 Installer (ajouté le 13/02/2009 - téléchargé 12 fois - taille : inconnue)

Provides native REDCODE media (R3D) support for Final Cut Pro and Color. Includes: RED QuickTime Codec (v3.7.0), Log and Transfer (v1.0.0), REDCODE plugin for Color (v2.7.0), and Final Cut Studio RED workflow whitepaper. Note: Supports RED ONE cameras up through Build 16.

• + Release History
• + Download for other Operating Systems

- RED Final Cut Studio 2 Whitepaper (ajouté le 13/02/2009 - téléchargé 2 fois - taille : inconnue)

This document describes the best practices for following a digital cinema postproduction workflow with Final Cut Studio using media recorded with the RED ONE.

v1.0.0 / 1.33 MB

• + Release History
• + Download for other Operating Systems

- RED QuickTime Codec (BETA) (ajouté le 13/02/2009 - téléchargé 6 fois - taille : inconnue)

REDCODE RAW codec for Intel Macs. Supports RT playback in Final Cut Pro 6.0.2 or later and editing of the QuickTime Reference movies generated in camera. Play REDCODE RAW movies directly from QuickTime Player or other QuickTime-enabled applications. Note: Supports RED ONE cameras up through Build 18.

Sorry, your operation system has not been supported yet.

• + Release History
• + Download for other Operating Systems

- RED ADOBE CS4 INSTALLER (BETA) (ajouté le 13/02/2009 - téléchargé 4 fois - taille : inconnue)

Provides native REDCODE media (R3D) support for Premiere Pro CS4 (4.0.1 and later) and After Effects CS4 (9.0.1 and later). Includes: REDCODE importer (v1.3.0), After Effects Settings Dialog and workflow guide. Note: Supports RED ONE cameras up through Build 18.

v1.3.0 / 1.11 MB

• + Release History
• + Download for other Operating Systems

- Document wokshop Unity CTM Avril 2008 (ajouté le 23/04/2008 - téléchargé 586 fois - taille : 14293.7 Ko - 223.34 sec en ADSL 512Kbit/s )

- Avid Tips Console Commandes (ajouté le 18/04/2008 - téléchargé 1956 fois - taille : 171.3 Ko - 2.67 sec en ADSL 512Kbit/s )

Voici un document fort interessant reprenant quelques unes des commandes bien utiles pour la console Avid.

This information has been culled from the experience of many Avid users. While I make no guarantee as to its accuracy, I would be happy to accept advice, corrections and additions. I will update and re‐post at intervals. console@paul-sampson.ca.

Please note Avid would never publish a list like this because many of these are unapproved, and in the case of renamemediafiles potentially dangerous. There are no instructions on using the console here – if you don’t know that already, then these commands might not be a good idea for you.

Included in this paper are:

• alldrives

• Cmd_SetImportSlideLength

• forceHDTranscode

• IgnoreQTRate

• Playlength

• Renamemediafiles

• repairsequences

• setresizetype

• subsys monpane debug

• TCBreakTolerance

We finish with a section titled “Stupid Console Tricks” which outlines other things the console can be used for.

Console commands are for diagnostics and for features that are in process of being completed

and have not yet been fully tested or have a complete GUI. It is also to test out certain features or algorithms before putting them into a main release. Most console commands are "use at your own risk"

Michael Phillips, October2007

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